Rock Medley using the Marshall 1959 Pedal.

The POG 3 can do extreme! it can also do wonderful subtle ambient swell and freeze sounds with the help of an expression pedal.

What is the inspiration machine used here? @EHX POG3

Wah wouldn't you!

Testing out the stereo outputs on my Epiphone Lucille. One output is going to the Kemper Profiler Player with wet effects added via the Kemper and heard through studio monitors, then the other output is going to a tube amplifier and cabinet with no effects, dry. The audio is recorded by my mobile phone and because the video is also recorded by my phone the audio probably isn't captured from the best position, clipping and low volume level issues expected! however this video isn't about how good the audio sounds over You Tube, more the concept behind using stereo outputs on one guitar and in the room it sounds good!!

Recording clips of the Mesa Boogie Fillmore 25 Drive Mode. Clip 1: Mesa Boogie 23" open back cabinet with a Celestion C90 Black Shadow speaker miked with a Sennheiser e609. Clip 2: Recorded through the Two Notes Captor X using the same virtual 23" mesa boogie cabinet and speaker. Clip 3: The same as clip 2 but with the twin tracker on. (headphones recommended). Clip 4: The same as clip one but with the audio captured in the room from the phone mic! for comparison. Plate reverb from Strymon Flint v2 in the effects loop.

Recording clips of the Mesa Boogie Fillmore 25 set clean. Clip 1: Mesa Boogie 23" open back cabinet with a Celestion C90 Black Shadow speaker miked with a Sennheiser e609. Clip 2: Recorded through the Two Notes Captor X using the same virtual 23" mesa boogie cabinet and speaker. Clip 3: The same as clip 2 but with the twin tracker on. (headphones recommended). Amp tube driven spring reverb. Delay from Strymon el Capistan v2.

Having fun with the RC-600